[Tajemne obrzędy natury w cyklu Teda Hughesa „Rzeka”]
Abstrakt
The text discusses Ted Hughes’ poetic sequence River from the perspective of eco-criticism. The poems included in this sequence illustrate the poet’s life-long interest in alternative forms of spirituality. The reader may recognise in them traces of hermetic philosophy, alchemy and shamanic healing practices. Hughes can also be called a meditative poet, if meditation is understood as a practice of attentively observing the surrounding reality. His treatment of nature is reflected in his original poetic idiom, where the sound and meaning of the human language frequently give way to the infra- and ultrasounds of the “unheard melodies” sung by plants and animals.
Słowa kluczowe
Ted Hughes; Rzeka; eko-krytyka; poezja medytacyjna; logos; natura
Uniwersytet Warszawski Polska
Wszystkie artykuły prezentowane na łamach „Prace Filologiczne. Literaturoznawstwo” są publikowane w otwartym dostępie na licencji Creative Commons Uznanie autorstwa wersja 3.0 (CC-BY) 
